Director David Lynch Dies at 78

Oscar-nominated director David Lynch, best known for films such as “Blue Velvet” and “The Elephant Man” and the quirky television drama “Twin Peaks,” has died at age 78, his family announced on Jan. 16.

“It is with deep regret that we, his family, announce the passing of the man and the artist, David Lynch,” the family wrote on Facebook. “We would appreciate some privacy at this time. There’s a big hole in the world now that he’s no longer with us. But, as he would say, ‘Keep your eye on the donut and not on the hole.’ It’s a beautiful day with golden sunshine and blue skies all the way.”

No cause of death was released. Last year, Lynch told a British magazine that he would have to retire from filmmaking due to health reasons, saying he had “gotten emphysema from smoking for so long” and he did not want to leave his home and possibly be exposed to COVID-19. 

Lynch was nominated for writing and directing Oscars for 1980’s “The Elephant Man.” He received two more Best Director nominations for “Blue Velvet” and “Mulholland Drive.”  He received an honorary Oscar in 2020.

Born in Montana, Lynch gained attention in the 1970s with his noir classic “Eraserhead,” which led to his breakthrough work on “The Elephant Man.” His follow-up to that film was 1984’s ambitious yet poorly received adaptation of Frank Herbert’s novel “Dune,” which starred a then-unknown actor named Kyle MacLachlan.

Lynch rebounded in 1986 with “Blue Velvet,” also starring MacLachlan along with Dennis Hopper and Laura Dern.

He made a major splash with the 1989 cable murder-mystery series “Twin Peaks,” again enlisting MacLachlan as an odd FBI agent investigating the killing of a teenage girl in a fictitious small town.  He went on to direct films including “Lost Highway,”  “Mulholland Drive,”  “The Straight Story” and “Inland Empire.”

Actor/director Ron Howard responded to Lynch’s death Thursday, writing on X that Lynch was “a gracious man and fearless artist who followed his heart and soul proved that radical experimentation could yield unforgettable cinema.”

City News Service