“Peaky Blinders: The Immortal Man” is a continuation of “Peaky Blinders,” one of the most outstanding series of recent years, which spanned six seasons in the life of a Birmingham, England, gangster organization known as the Peaky Blinders.
Already have an account? Click here to login
If you already have an account on this site, please login below. Otherwise, please proceed to the Details section.
A mash-up of styles, genres and other films, it’s as though Mel Brooks, the Marx Brothers, Busby Berkley and James Whale were poured into a cauldron and came out as a Dada project directed by Salvador Dali.
Jean Davidson has been named as the new executive director and CEO of The Wallis Annenberg Center for the Performing Arts. She steps into the role on May 4.
Continuing on with nominations that were and were not expected, we should finish the Best Picture nominations with the ones that were puzzles to me, along with some surprises and snubs, because there always are disagreements when it comes to “Bests.”
Summer blockbusters followed by fall contenders and holiday hopefuls all have one goal: to score an Oscar nomination.
Sirāt is the razor-sharp bridge that divides hell and heaven, a bridge that all must traverse at some point in life, sometimes repeatedly.
Helen is a high-flying graduate student at Cambridge who is on the cusp of receiving a prestigious fellowship at the Max Planck Institute, the zenith in her field.
In “A Private Life,” Rebecca Zlotowski offers us not just a movie but a platter of comedy, psychodrama, mystery and character study.
“No Other Choice,” Park Chan-wook’s sly send-up of corporate culture, is a clever reworking of Donald Westlake’s novel “Ax,” one adapted previously by French director Costa-Gavras.
“The Choral” was a much-anticipated film. Not only was it written by the dream team of writer Alan Bennett (“The History Boys”) and director Nicholas Hytner (winner of multiple Tony and Olivier awards), but the cast was starry as well, led by Ralph Fiennes.