Prepare to laugh out loud at the antics of your favorite Looney Tunes characters, particularly Wile E. Coyote and his nemesis the Road Runner, and their straight-faced human counterparts in this live-action/animation hybrid as they pull you into a David and Goliath courtroom drama in
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Agnieszka Holland’s films are always challenging, whether it’s the story she’s telling or the way she chooses to tell it.
The Palisades Village Grand Reopening was an emotional day attended by thousands.
I just can’t seem to get ahead. Well, that’s not entirely true because I watched several of these long enough ago that I had to do a quick refresher.
“Late Fame” is a small movie with an oversized punch, an Academy Award-worthy performance by Willem Dafoe and an engaging script by Samy Burch, a former casting director whose first screenplay, “May-December,” was nominated for an Oscar.
July openings on the small screen are either wonderful or dreadful, with very little in between.
For me, the tentpole of the summer was going to be Christopher Nolan’s “The Odyssey.”
For one unforgettable evening, Hollywood traded its signature red carpet for a sea of yellow as Universal Pictures and Illumination rolled out the world premiere of “Minions & Monsters” at the iconic Dolby Theatre.
ome of you will be too young to remember the “British Invasion” when the Beatles opened the floodgates in the early ‘60s for other British pop groups and dominated the charts and concert stages.
Some Hollywood premieres end when the lights come up. Others simply change locations. That was the case for A24’s “The Invite,” which celebrated its Los Angeles premiere at the Directors Guild of America (DGA) Theater in West Hollywood before the evening continued just minutes away at