My mouth is still watering from this sumptuous film, directed and written lovingly by Tran Anh Hung, based on the novel “The Life and Passion of Dodin Bouffant, Gourmet” by Marcel Rouff.
This year’s submission to the Oscars by Germany is a thought-provoking film that sends prickles of discomfort up and down your spine as you recognize yourself, others and society in general at this progressive middle school.
“Memory,” a searingly incisive film about loss and love, tears at you from many directions, some unexpected. Initially, the impression is given that the story is about connection, and it is but not necessarily in ways you think.
Sylvia has just celebrated 13 years sober at
We all have reasons why we’ll see a film sight unseen and one of mine is Isabelle Huppert. She makes even mediocre movies (and she’s been in a few) watchable. So what a thrill when she’s in a good one, and a comedy to boot,
Adapted from Percival Everett’s novel “Erasure,” “American Fiction” tells a story of Black identity from many different, and always ironically funny, points of view.
Mariette’s date from hell, as if the first one wasn’t enough, was with someone she calls “psycho date” played by a demonically serious Peter MacNicol as he describes how he disposed of a body off the Long Beach Pier. “Do you want dessert?” It’s tough