Broadway isn’t just humming along; it’s singing at the top of its lungs. Having just returned from a theater blitz, it was all worthwhile. Advance planning certainly helped.
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A visit to Oaxaca, Mexico, a UNESCO World Heritage Site, anytime from October to May is ideal.
We are thrust into the middle of an American version of a Bollywood-style Indian wedding with everything but the elephant.
Italia! The name conjures romance, old-world glory, elaborate icing-topped monuments, and film and television references, which for me are impossible to escape.
“The Penguin Lessons” is based on the true-life adventure of Tom Michell, a disillusioned and cynical Englishman who opted for what he thought would be an easy road, a job at a prestigious English boarding school halfway around the world in Buenos Aires.
January, February and March have presented what seems like an endless stream of entertainment.
“One Hundred Years of Solitude,” a new Netflix miniseries based on the acclaimed novel by Gabriel García Márquez, premiered in December.
“Sondheim’s Old Friends,” now playing at the Ahmanson Theatre in its pre-Broadway run, will make you want to get up and sing and dance with the marvelous cast on stage.
“Noises Off,” a farce in three acts by Michael Frayn, is a play within a play within a play that pokes loving fun at regional productions in towns no one has ever heard of.
Continuing its excellent dance series, The Wallis presented an ambitious Los Angeles Ballet (LAB) program in two acts of choreographic vignettes following the 18 tracks of Max Richter’s “Memoryhouse.”