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“Peaky Blinders: The Immortal Man” is a continuation of “Peaky Blinders,” one of the most outstanding series of recent years, which spanned six seasons in the life of a Birmingham, England, gangster organization known as the Peaky Blinders.
A mash-up of styles, genres and other films, it’s as though Mel Brooks, the Marx Brothers, Busby Berkley and James Whale were poured into a cauldron and came out as a Dada project directed by Salvador Dali.
Continuing on with nominations that were and were not expected, we should finish the Best Picture nominations with the ones that were puzzles to me, along with some surprises and snubs, because there always are disagreements when it comes to “Bests.”
Summer blockbusters followed by fall contenders and holiday hopefuls all have one goal: to score an Oscar nomination.
If you've been on a waitlist for a therapist or balked at the price tag, you're not alone.
Sirāt is the razor-sharp bridge that divides hell and heaven, a bridge that all must traverse at some point in life, sometimes repeatedly.
Helen is a high-flying graduate student at Cambridge who is on the cusp of receiving a prestigious fellowship at the Max Planck Institute, the zenith in her field.
In “A Private Life,” Rebecca Zlotowski offers us not just a movie but a platter of comedy, psychodrama, mystery and character study.
“No Other Choice,” Park Chan-wook’s sly send-up of corporate culture, is a clever reworking of Donald Westlake’s novel “Ax,” one adapted previously by French director Costa-Gavras.