Agnieszka Holland’s films are always challenging, whether it’s the story she’s telling or the way she chooses to tell it.
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I just can’t seem to get ahead. Well, that’s not entirely true because I watched several of these long enough ago that I had to do a quick refresher.
“Late Fame” is a small movie with an oversized punch, an Academy Award-worthy performance by Willem Dafoe and an engaging script by Samy Burch, a former casting director whose first screenplay, “May-December,” was nominated for an Oscar.
While I remain enthusiastic about its extraordinary potential, the possible risks of AI are now emerging more clearly.
July openings on the small screen are either wonderful or dreadful, with very little in between.
For me, the tentpole of the summer was going to be Christopher Nolan’s “The Odyssey.”
As the 2026 FIFA World Cup comes to an end, one team will emerge victorious.
ome of you will be too young to remember the “British Invasion” when the Beatles opened the floodgates in the early ‘60s for other British pop groups and dominated the charts and concert stages.
This July Fourth will be unlike any other in our lifetimes.
The opening shots of “Rose of Nevada” reveal a village by the sea that prosperity has left behind.