Continuing our theater journey, I’m like Alice down the rabbit hole. So much to see, so little time.
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Broadway isn’t just humming along; it’s singing at the top of its lungs. Having just returned from a theater blitz, it was all worthwhile. Advance planning certainly helped.
We are thrust into the middle of an American version of a Bollywood-style Indian wedding with everything but the elephant.
“The Penguin Lessons” is based on the true-life adventure of Tom Michell, a disillusioned and cynical Englishman who opted for what he thought would be an easy road, a job at a prestigious English boarding school halfway around the world in Buenos Aires.
January, February and March have presented what seems like an endless stream of entertainment.
“One Hundred Years of Solitude,” a new Netflix miniseries based on the acclaimed novel by Gabriel García Márquez, premiered in December.
“Sondheim’s Old Friends,” now playing at the Ahmanson Theatre in its pre-Broadway run, will make you want to get up and sing and dance with the marvelous cast on stage.
“Noises Off,” a farce in three acts by Michael Frayn, is a play within a play within a play that pokes loving fun at regional productions in towns no one has ever heard of.
In the wake of the devastating wildfires in January, many locals are focused on giving back to the community through donations, volunteering and gift cards.
Continuing its excellent dance series, The Wallis presented an ambitious Los Angeles Ballet (LAB) program in two acts of choreographic vignettes following the 18 tracks of Max Richter’s “Memoryhouse.”