September and October were the traditional months when broadcast networks premiered their new shows. This week we discuss some of those new entries, but never fear, there are many more to come in November.
“PST ART: Art & Science Collide” is now the nation’s largest arts initiative, linked across 70 exhibitions, from Santa Barbara to San Diego, supported by $20 million in grants.
“The Outrun,” written and directed by Nora Fingscheidt and based on Amy Liptrot’s memoire, is a screaming banshee, a witch dance to exorcize demons, an embrace of sea gods and a tribute to the concept of “one day at a time.”
“La Maison” is nothing short of delicious and delectable, as exquisite as a Dior gown and as over the top as a Versace print. Backstabbing fun are the adventures of the LEDU house of couture.
Maison LEDU is the last independent couturier left in Paris, owned
Before Eugene and Dan Levy took the Peacock Theatre stage at L.A. Live to host the 76th Primetime Emmy Awards on Sept. 15, Hollywood started celebrating with parties, previews, gifting suites, and even a proper British tea.
For the second time this year, The Maybourne Beverly
“The Goldman Case” is the very definition of outstanding storytelling. Directed by Cédric Kahn, the French trial in 1975 against Pierre Goldman is laid before your feet, daring you to take the side of an unsympathetic, violent but quite possibly innocent defendant. It is as
The television cup continues to runneth over and like the old adage “Something old, something new, something borrowed, something blue,” “Only Murders in the Building” is both old and new and borrows from previous seasons. Netflix’s audacious new series, “Kaos,” is definitely something new and