Awards season is upon us once again with the culmination of the Oscars on March 10 at the Dolby Theater in Hollywood.
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My mouth is still watering from this sumptuous film, directed and written lovingly by Tran Anh Hung, based on the novel “The Life and Passion of Dodin Bouffant, Gourmet” by Marcel Rouff.
Director Nikolaj Arcel dreams in technicolor and sees life on a grand scale, a David Lean film on a minuscule budget.
There’s so much out there, it’s a Sisyphean task to keep current.
“Driving Madeleine” is a gift to all of us, old and young.
Class, before we begin with chemistry there is an important lesson to be learned about adapting bestsellers.
This year’s submission to the Oscars by Germany is a thought-provoking film that sends prickles of discomfort up and down your spine as you recognize yourself, others and society in general at this progressive middle school.
“Memory,” a searingly incisive film about loss and love, tears at you from many directions, some unexpected. Initially, the impression is given that the story is about connection, and it is but not necessarily in ways you think. Sylvia has just celebrated 13 years sober at
We all have reasons why we’ll see a film sight unseen and one of mine is Isabelle Huppert. She makes even mediocre movies (and she’s been in a few) watchable. So what a thrill when she’s in a good one, and a comedy to boot,
Adapted from Percival Everett’s novel “Erasure,” “American Fiction” tells a story of Black identity from many different, and always ironically funny, points of view.