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Neely Swanson

“All of Us Strangers,” an enigma of a movie directed and written by Andrew Haigh based on “Strangers,” a novel by Taichi Yamada, will leave you off balance from its quiet, almost tedious start to its ending that may be only a beginning. Sound complicated?

Jonathan Glazer’s new film, loosely based on the Martin Amis novel of the same name, more closely hews to the imagined reality of the actual individuals who inhabited “the zone of interest,” the 40 square kilometer area surrounding the Auschwitz concentration camp in Poland. 

Originally produced in 1981 and a very famous flop, “Merrily We Roll Along” is now the biggest hit on Broadway and deservedly so.

Ridley Scott has taken on the imperial task of telling the story of Napoleon Bonaparte in all its massive glory.

The runaway success of this summer’s biggest hit, “Barbie,” brought a wide swath of the public back into theaters. Certainly, “Mission: Impossible - Dead Reckoning Part One” got the summer ball rolling, but this holiday season is different, even though strikes by both the WGA

Bayard Rustin is a name that should be on the lips of anyone discussing civil rights and its historic leaders.

Be careful what you wish for; it might come true.

Artist, actor, investor, restaurateur, patron of the arts, collector, and once again, artist. These are the many lives of Michael Chow.

“Killers of the Flower Moon” is Martin Scorsese’s epic ode to the Osage Nation, co-written with Eric Roth and based on the bestseller by David Grann.

The plot of this film is deceptively simple. A man is found dead at the foot of his chalet by his young son, an inexplicable accident if, indeed, it is one.