A mash-up of styles, genres and other films, it’s as though Mel Brooks, the Marx Brothers, Busby Berkley and James Whale were poured into a cauldron and came out as a Dada project directed by Salvador Dali.
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Continuing on with nominations that were and were not expected, we should finish the Best Picture nominations with the ones that were puzzles to me, along with some surprises and snubs, because there always are disagreements when it comes to “Bests.”
Summer blockbusters followed by fall contenders and holiday hopefuls all have one goal: to score an Oscar nomination.
If you've been on a waitlist for a therapist or balked at the price tag, you're not alone.
Sirāt is the razor-sharp bridge that divides hell and heaven, a bridge that all must traverse at some point in life, sometimes repeatedly.
Helen is a high-flying graduate student at Cambridge who is on the cusp of receiving a prestigious fellowship at the Max Planck Institute, the zenith in her field.
In “A Private Life,” Rebecca Zlotowski offers us not just a movie but a platter of comedy, psychodrama, mystery and character study.
“No Other Choice,” Park Chan-wook’s sly send-up of corporate culture, is a clever reworking of Donald Westlake’s novel “Ax,” one adapted previously by French director Costa-Gavras.
As another year nears its end, we often feel a mixture of emotions. Joy, gratitude, pride, and hope can intertwine with exhaustion, disappointment, and anxiety. These emotions guide us, and we owe it to ourselves to tune in and listen. The holidays often provide a
“The Choral” was a much-anticipated film. Not only was it written by the dream team of writer Alan Bennett (“The History Boys”) and director Nicholas Hytner (winner of multiple Tony and Olivier awards), but the cast was starry as well, led by Ralph Fiennes.